Error 404 - Page Not Found
Working Together for Each Other
With the monopolization of all media outlets in the United States and around the world, getting ourselves out there is next to impossible; only a few are lucky enough to get through (such as Justin Bieber). If we do not come together to make our voices heard, the concentration of control over our media will only get tighter.
The only way to bust out of the monopoly is to come together to create our own cooperative of artists who work hand in hand to prop each other up. With the Internet and those experienced in the music industry, we can do this. Musicians can be given the tools they need to expand their audiences while others willing to go out on a limb, such as pirate radio operators, are given tools to do their work without infringing upon the work of others.
@In.cue- Driving traffic to your page
@In.cue is a single link, for placement on your social media pages, that brings artists together in an effort to capture, hang onto, and share audiences across social media platforms and personal/business websites. Once installed on your page, those exiting through the link are taken to the next unsigned and independent musician within your genre and on the same platform (TikTok, YouTube, Instagram, etc.) who also have the link installed on their page. An equal percentage of those exiting through the link on partner pages are then taken to your page. The more who participate, the more traffic that is equally shared in return.
With the @In.cue link installed, depending on the number of participants, you can increase traffic to your page almost instantly after placement.
@In.cue is a free service intended for use by unsigned and independant musicians only.
Click here to join today!
Free the Media
Prior to President Reagan's deregulation of the FCC, there were strict rules in place that governed the number of media outlets a single entity could own. This regulation kept media diverse and free from large corporate or special interests from gobbling up the smaller, independently owned AM/FM/TV stations. It also prevented the same from happening to news papers and magazines. However, since President Reagan did away with all that, corporate America have moved in and today nearly all radio, TV, new papers (magazine included), are no longer independent and diverse. Rather, the entire industry has been monopolized and as a result our media has become centrally controlled by moguls such as:
- Walt Disney
- Paramount Global
This includes billionaires:
- Michael Bloomberg - Bloomberg LP and Bloomberg Media
- Rupert Murdoch - News Corp
- Donald and Samuel "Si" Newhouse - Advance Publications
- Cox Family - Atlanta Journal-Constitution
- Jeff Bezos - The Washington Post
- Sheldon Adelson - The Las Vegas Review-Journal
- Joe Mansueto - Inc. and Fast Company magazines
- Mortimer Zuckerman - US News & World Report, New York Daily News
- Barbey family - Village Voice
- Stanley Hubbard - Hubbard Broadcasting
- Patrick Soon-Shiong - Tribune Publishing Co.
- Carlos Slim Helu - The New York Times
- Warren Buffett - regional daily papers
- Viktor Vekselberg - Gawker
Working together, these moguls have monopolized media. In so doing, they now control all play lists and the largest majority of all of radio and television outlets. They also control the FCC through money and power who act as their protectors by erecting rules and regulations that effectively kill the independent media market.
Pirating airwaves, in protest, is one way to start making the noise that is needed to demand that "We The People" require regulations that put an end to centralized media control and that broadcasters do more to serve the local interests of their communities (as radio was originally intended to serve).
Starting a pirate radio station is not rocket science
It is important to note that pirating AM/FM public air waives is a violation of FCC rules and regulations. The maximum penalty for operating an unlicensed or "pirate" broadcast station (one which is not permitted under Part 15 or is not a Carrier Current Station or Campus Radio Station) is set at $10,000 for a single violation or a single day of operation, up to a total maximum amount of $75,000. Before you can be fined, the FCC must have possession of your transmitter. Producing a content feed for use by anyone, to include pirate radio broadcasters, does not violate any law, rule, or regulation by any means. Though KLOKi touts itself as being a pirate radio broadcast, in reality it is a content feed accessed through an internet stream for anyone who wants to use or broadcast the content.
To make it a little more digestible, I'll break radio broadcasting down into three components: Transmission hardware, studio hardware, and content source.
There is a wide range of transmitters, antennas and associated equipment available on the domestic and international market, ranging in cost from $250 to $1000, that can be used to construct a low power FM radio station. Below are a few examples offered to help give you an idea of what to look for. (Products mentioned here are offered for educational purposes only.)
CZE-T251 25W FM transmitter stereo Professional broadcast adjustable 0-25W+Power - The CZE-T251 25Watt FM transmitter is a professional FM transmitter newly released by CZHFM Co. It features a one button control for all functions. It has VSWR protection, temperature protection, electronic volume adjusting, equipped with low pass filters. It can be used in many places, such as a stadium, community radio station, motel, public square, church, theater and so on. It can get out as far as 5 miles and in some cases up to 20 miles, depending on the contruction and height of the antenna.
If you are not familiar with the FM band, you could find yourself limited to 300 ft.
Retekess TR505 FM Transmitter Long Range Broadcast Radio Station - The Retekess TR505 FM Transmitter is an easy to set up and use FM transmitter that supports multiple frequencies with an adjustable output power from 0.01w to 25W. It has a range from 165 ft. to 3 miles. It features stereo sound, supports multiple input methods such as AUX cable, TF card, U disk, and Mic, etc. The FM broadcast transmitter is very suitable for broadcasting to any FM receiver within range on the FM frequency band. It can be used in outdoor car theaters, churches, parks, schools, factories, hotels, apartment buildings, etc.
Source 1.2 Watt Low Power FM Transmitter (LPFM) - This is a professional grade 1.2 Watt FM Transmitter that is certified under FCC Part 73, Subpart G - Low Power FM Broadcast Stations for LP100 Stations with FCC ID: XOASRC-LPFM1 and Canada IC: 8728A-SRCLPFM1. It has a range between 600ft. to 2 miles. It features Simplified Controls that are easy to read, blue backlighting, line & mic audio can play together or use independent line & mic audio inputs.
50W FM Transmitter RS RADIO FM Transmitter - This FM stereo transmitter uses an advance modulation system and Phase Lock Loop to control a steady frequency when transmitting. It features a newly invented low noise system used to reduce the noise level during broadcasting time. A digital stereo system is used and control the stereo separation at great condition. With a high gain antenna, it can easy broadcast anywhere you want: home, apartment, church, school, club, camping, backyard, resident village, etc.
This broadcast transmitter has a plug and play design and is reported as being very easy to use. However, the manufacturing warns that you must connect the antenna first before connecting the power supply to avoid the transmitter from burning out.
Should you construct a LPFM, you'll also need a tall building/tower to transmit from. Otherwise, your signal will not get out very far. However, in some areas only a minimal elevation would be required, potentially meaning that a building on elevated ground will suffice.
There are various how-to guides available online that can help you with determining the best location for your transmission tower.
A basic studio, consisting of at least four program/sound sources, is about all you need to start broadcasting. These, combined with software discuss later, are all that is needed to get your audio source perfect for transmission.
Generally, a professional studio will include analogue/digital mixing decks, microphones to for announcers, headsets, portable audio capture devices, smart phones, laptops, soundproofing gear, relevant furniture, and maybe an on-air light to let others in the studio know your mic is on.
While PhunkyRide.com does not endorse any particular product or vendor on the market, Amazon.com is a vendor that provides all that you'll need at reduced or below market prices.
Podcast Equipment Bundle - The podcast equipment bundle, available on Amazon.com for as low as $160, is equipped with a podcast audio interface mixer, condenser microphone, headset, earphone, microphone adjustable scissor arm stand, XLR-Mini XLR cable, 3.5mm TSSR audio cable X 2, USB Type-C cable, foam mic cover, and instruction manual. This is a perfect example of the sound studio equipment you'll need.
If you are not familiar with the FM band, you could find yourself limited to 300 ft.
Laptop - A single laptop, together with software, is about all that is needed for the primary audio input. The laptop does not need to be state-of-the-art. An old laptop that can run modern software versions will work.
DJ Software - You will need DJ software that is compatible with your audio mixer. There are number of different DJ software applications available on the market that will do the job. Depending on the audio mixing deck you choose, most come together with the software needed to load your audio decks.
Disc Jockeys/Announcers - Lastly, for your basic setup, you will need quality disc jockeys/announcers who can be clearly understood over the radio and have lots of personality. A good radio station will have DJ's who are imaginative, entertaining, and able to mix comfortably.
Last but not least, you will need content for your broadcasts. For that, PhunkyRide.com invites you to enroll your radio station today.